until 26 November some galleries are closed for set-ups; please can find here the ongoing exhibitions
buy online
for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
23 Nov 2024 05.00 pm
MAXXI with the familyDi Spazio in SpazioDIVENTO SPAZIO
24 Nov 2024 05.00 pm
MAXXI with the familyDi Spazio in SpazioDIVENTO SPAZIO
27 Nov 2024 06.00 pm
books at MAXXITanti Auguri. 70 anni di tv 100 anni di radioby Marco Carrara
30 Nov 2024 12.00 pm
guided toursRestless Architecture
MAXXI Auditorium – entrance € 5
Buying the ticket entitles you to a reduced-price ticket for the museum (€ 8) within a week from the issuing of the ticket
€ 4 for holders of the myMAXXI card, or € 12 for a four-event subscription
Curated by Domitilla Dardi
How do you create an exhibition, a magazine, or a book on design?
Is there a method for being creative?
What characterises a great talent?
Four events devoted to one of the most studied and ramified contemporary disciplines. Enter the designers, critics and entrepreneurs who have marked the history of design project in the last fifty years, both in Italy and the world.
The second event will see Giovanna Castiglioni, daughter of Achille, accept the challenge of speaking about the Castiglioni family. Apparently, you can never stop learning about the many ways in which Achille and Pier Giacomo worked from the ’60s to 2002, as the archive is full of surprises, and the Achille Castiglioni Foundation is always inventing new ways of communicating by use of its historical heritage, projects, re-editions, and interactions with the audience. Giovanna Castiglioni, together with the Foundation group, shares with today’s designers the “Castiglioni way” of working and living, which is based on kindness, curiosity and irony.
Giovanna Castiglioni cast aside her degree in geology in order to manage the many projects found in her father’s study. She has been the curator of the Studio Museo Achille Castiglioni since 2005, and in 2012 she was appointed Vice President and Secretary General of the Foundation. She currently coordinates the archiving activities involving the Foundation’s cultural heritage, and she teaches the “Castiglioni method” to people of different ages, cultures, interests, and nationalities.