single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
A Journey through Contemporary Architecture
Production: Studio Azzurro and Fondazione MAXXI.
Curators: Maristella Casciato, Pippo Ciorra, Margherita Guccione/MAXXI
From 30 May 2010
Interactive video installation with 9 synchronized screens and 4 touch-sensitive lecterns.
Geografie italiane is a video installation which works simultaneously as a kind of history laboratory of contemporary architecture. The various developments in Italian architecture during the second half of the twentieth century are interpreted through the introduction of guiding themes which form a narrative backbone for the visual presentation.
The installation Geografie italiane is made up of a sequence of “worlds”, which come together to form a kaleidoscopic image of architectural landscapes. Each “world” is created using a variety of iconographic and visual materials including drawings, photographies, film clips and interviews in order to create a specific narrative script freely reworked and assembled by Studio Azzurro to allow the viewer to set a myriad of possible pathways and interpretations within the general narrative framework of the installation.
As indicated on the wall, the sequence of “worlds” explores the following themes in this order: cities | engineering | landscape | competitions | heritage | design | landmark | museum | protagonists | media and next. The visitor can experience the various “geographies” using monitors which list the names of leading figures, keywords, aphorisms, and places. Selecting one of these opens an informational box. In this way, the visitor is given the opportunity to create a personal interpretation of Geografie italiane.