videogalleryRoma calling
videogallery
free admittance
Tuesday to Sunday
from 11 am to 7 pm
download the programme
single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
– upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery
free admittance
Tuesday to Sunday
from 11 am to 7 pm
download the programme
27 Apr 2025 05.00 pm
CreAzioneLifeby Anton Corbijn
30 Apr 2025 07.30 pm
music performanceOkkyung Lee & Rashad Becker
8 May 2025 06.00 pm
talkSpiritualitàdi Michelangelo Pistoletto e Antonio Spadaro
11 May 2025 12.00 pm
guided toursStop DrawingArchitecture beyond Representation
14 May 2025 06.00 pm
books at MAXXIPaleoestetica. Alle origini della cultura visualeby Michele Cometa
16 May 2025 06.00 pm
stories of artLecture on greenwith Giorgio Zanchetti
A selection of works by Clemens von Wedemeyer, Navin Rawanchaikul and Rä di Martino portrays the Eternal City.
The common thread running through the three works on show is Rome, understood as a mosaic of different cultures, personal and collective histories, legendary places where past and present, reality and fiction meet until they merge.
6 to 18 August + 17 to 19 September
Clemens von Wedemeyer Procession (2013 – 14’)
Procession is part of a nucleus of works created by Clemens von Wedemeyer (Göttingen, 1974) on the occasion of the solo exhibition The Cast that MAXXI dedicated to him in 2013. In the video, the shooting of a film dedicated to a Roman procession is suddenly interrupted by the protest of a group of demonstrators. Combining different styles and genres, the artist evokes an incident in 1958 at Cinecittà when, during a scene of the film Ben Hur, thousands of extras tried to force the gates, claiming their right to work. Reality and fiction are blurred in the work through an overlapping of temporal planes that bring us back from the past to the period in which the artist shot the video involving actors and activists from the occupied Teatro Valle in Rome in 2011.
20 August to 1 September + 20 to 22 September
Navin Rawanchaikul Ciao da Roma (2020 – 23’54”)
The impact of globalisation, migration and the development of cultural identities are central themes in the artistic research of Navin Rawanchaikul (Chiang Mai, 1971), who in 2021 created the exhibition Ciao da Roma at MAXXI. The artist shot the video in the autumn of 2018 and recounts his incredible journey to the capital and the Agro Pontino area to discover the different faces, stories and memories of the South Asian diasporic community. Interweaving photographs, moving images and storytelling, the work bears witness to the geopolitical context, the creative process and the autobiographical experience of Rawanchaikul and his practice capable of accommodating the tension between individual and society.
3 to 15 September + 24 to 26 September
Rä di Martino The show MAS go on (2014 – 30′)
The historic Magazzini allo Statuto (MAS) was opened at the beginning of the 20th century in Rome, in the Esquilino area, as a luxury commercial space. Over the years, MAS became the people’s department store with thousands of square metres, incalculable dust, and a vast and colourful crowd. All that remains of the golden age of this symbolic place in Rome at the time of the filming of the work by Rä di Martino (Rome, 1975) are the chandeliers hanging from the ceiling, some of which are now touching the spindly carpeted floor. The artist stages the famous history and the unique atmosphere of the MAS, which becomes a ‘stage’ on which the urban fabric that habitually frequented them is intertwined with depicted scenes and film quotations in an attempt to restore their potential and energy.
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