Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
6 Jan 2025 12.00 pm
guided toursGuido GuidiCol tempo, 1956-2024
6 Jan 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
14 Jan 2025 06.00 pm
lectureMongolian Buddhist Art and Zanabazarby Geshe Lharampa Javzandorj Dulamragchaa
14 Jan 2025 06.30 pm
lectureIn movimento: danza, coreografia, architetturawith Susanne Franco
15 Jan 2025 06.00 pm
talkAnalisi, distruzione e rinnovamentowith Monia Ben Hamouda
MAXXI Architettura Archives Centre – admittance free subject to availability of places
With the construction of the bridge over the Maracaibo lagoon in Venezuela, an extraordinary megastructure of a world record 9 kilometres in length, Riccardo Morandi achieved the international fame and acclaim as master builder of bridges and viaducts, earning the epithet Le Corbusier on four wheels.
Both worked in Rome and their actions emerge inevitably, without ever intersecting: Morandi and Nervi, protagonists of the season of great Italian engineering.
In 1962, both were awarded prizes by Aitec Associazione Italiana Tecnico Economica del Cemento – for their diverse but equally remarkable masterpieces that were to mark the history of architecture: the palazzo dello Sport (1957-59)in Rome for Nervi and the Underground Pavilion in Turin (1961) for Morandi.
The props in reinforced concrete to which the slim vaults of Nervi’s roof elegantly conform, are countered by Morandi with the imposing blocks of the portals, the powerful masses in finely calibrated equilibrium of his prestressed structures.
The conference investigates not only Morandi’s professional career, but also the expressive quality and the innovative aesthetic charge that marks his masterpieces. A specific section is devoted to the relationship between the built work and its insertion into the landscape and a concluding focus looks at the extensive archive the great engineer’s heirs have deposited in the Central State Archive in Rome.
Speakers
Marzia Marandola Sapienza University, Rome
Maurizio Morandi
Flavia Lorello Central State Archive, Rome