videogalleryRadicalsKazuo Ōno
videogallery – free entrance
curated by Irene de Vico Fallani, Giulia Lopalco
Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery – free entrance
curated by Irene de Vico Fallani, Giulia Lopalco
Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
Choreographer and inspirer of Butō dance, one of the most experimental and innovative artistic expressions born in post-war Japan.
Based on the fundamental concepts of the dead body and freedom, the ‘dance of darkness’ of Kazuo Ōno (Hokkaido, 1906 – Yokohama, 2010) celebrates the pure liberation of the human soul from any form of physical and cultural coercion. The trilogy of experimental films presented at MAXXI was born between the 1960s and 1970s when Ōno began collaborating with the director Nagano Chiaki after retiring from the stage.
film screening:
Tuesday 30 August to Sunday 4 September, 4:30 pm
Portrait of Mr. O, 1969
duration: 65 min
Tuesday 6 to Sunday 11 September, 4:30 pm
Mandala of Mr. O, 1971
duration: 122 min
Tuesday 13 to Sunday 18 September, 4:30 pm
Book of the Dead of Mr. O, 1973
duration: 88 min
On the occasion of the TOKYO REVISITED exhibition, a special screening of films by directors and creatives who share with Daido Moriyama a countercurrent, revolutionary and never conventional look at Japan. The pop and surreal character of Seijun Suzuki (19 July > 7 August), the more rigorous and austere nature of Kaneto Shindō (9 > 28 August) and the mystical essence of Kazuo Ōno’s Butō dance (30 August > 18 September) represent different manifestations of a common need to narrate the duality of post-war Japan, to bring to light the shadows and fragility of existence, to break taboos, and to reaffirm the individual’s freedom of choice and expression.
header: Kazuo Ōno, photo by Bob Fujisaki