No Master TerritoriesFeminist Worldmaking and the Moving Image
videogallery – free admittance
curated by Erika Balsom, Hila Peleg

single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
– upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery – free admittance
curated by Erika Balsom, Hila Peleg
A screening programme dedicated to women artists and filmmakers from around the world who created new languages between the 1970s and 1990s to represent gendered experience.
Focusing on the period in which women’s liberation movements established themselves internationally, the film screening pays homage to the vital work of the past by women artists, directors and collectives and responds to the urgencies of today.
The programme features experimental films, videos and documentaries from different points of view, addressing issues related to the traditional representation of women; gender equality in the family, the workplace and society; and the economic and colonial exploitation of the planet.
Supported by Fondazione In Between Art Film, the film screening presented at MAXXI is an adaptation of the exhibition curated by Erika Balsom and Hila Peleg that was held at the Haus der Kulturen der Welt, Berlin, in the summer of 2022. Fondazione In Between Art Film invited the curators to choose three thematic areas of the exhibition and present three screening programmes as part of its support for MAXXI’s videogallery programming.
in the header: Han Ok-hee, Untitled 77-A, 1977, film still