NatureMario BottaSacred and profane
the exhibition’s closing has been extended to Sunday 16 October 2022
Gian Ferrari hall
curated by Margherita Guccione, Pippo Ciorra
single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
– upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
the exhibition’s closing has been extended to Sunday 16 October 2022
Gian Ferrari hall
curated by Margherita Guccione, Pippo Ciorra
With the Nature cycle MAXXI presents significant research in contemporary architecture, inviting the authors to talk about themselves through the installation of one of their exhibitions.
The seventh edition of Nature features the work of Mario Botta, the world-famous Swiss designer who graduated with Carlo Scarpa, worked with Le Corbusier and Louis I. Kahn and is today a master among masters.
Botta has realised works and projects worldwide, including the MOMA in San Francisco and the Jean Tinguely Museum in Basel and the MART in Rovereto, Italy. He is the creator and founder of the Accademia di Architettura in Mendrisio. In addition, he created the Teatro dell Architettura, a place entirely conceived to show and discuss the discipline of architecture, reflecting his interest in the staging of architecture which finds new opportunities at the MAXXI.
For MAXXI, Botta has imagined an installation composed of heterogeneous and highly expressive materials, ranging from a 1:1 scale pavilion and a facade prototype to models, sketches and photographs of a selection of his built projects. The ‘sacred and profane’ theme that gives the exhibition its title is interpreted in the broader sense of a sacredness inherent in every architectural gesture, from the purity of the materials to sensitivity to the context. A catalogue will be produced with critical essays and unpublished reflections by Botta himself on the inspiration behind his work, an interview by Fulvio Irace and illustrated descriptions of the projects on display.