single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
– upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
27 Mar 2025 07.00 pm
Le ConversazioniPupi Avatiwith Antonio Monda
30 Mar 2025 04.00 pm
musicElectronic ExpressionsMateria
30 Mar 2025 05.00 pm
CreAzioneLeopardiby Mario Martone
1 Apr 2025 06.00 pm
books at MAXXIExhibit. I musei e la mostra del potereby Giovanni Pinna
3 Apr 2025 06.00 pm
books at MAXXILa cultura è di tuttiby Christian Greco and Paola Dubini
Graziella Lonardi Buontempo Hall – admittance free subject to availability of places
What are the policies and the dynamics that truly support creativity?
Creativity has in recent years become a word used widely in politics and economics. The great supranational organizations – from UNESCO to the OCSE and the European Union – consider the creative industries, those that “transform” culture into economic activities, to be one of the driving forces of growth. Throughout the world, countries, cities and regions are dedicating laws, reports and operational programmes to these themes. In describing them, certain observers talk about the Creative Economy, others about the Orange Economy. This is a development to which governments and think tanks, research centres and universities around the world have contributed.
In the book featured here, Gian Paolo Manzella traces the principal stages in this journey, analysing the policies and dynamics that have supported it.
Introduced by
Giovanna Melandri President, Fondazione MAXXI
Alessandro Leon Consiglio Direttivo AEC
Speakers
Eleonora Andreatta Director, Rai Fiction
Edoardo Camurri television presenter and journalist
Sabino Cassese legal expert and academic
Greg French Australia’s Ambassador to Italy
Gian Paolo Manzella author of the book
Tomaso Radaelli President, MondoMostre Skira
In collaboration with AEC – Associazione per l’Economia della Cultura