Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 Dec 2024 12.00 pm
guided toursThe Large Glass
26 Dec 2024 04.30 pm
MAXXI for familiesForme danzanti
6 Jan 2025 12.00 pm
guided toursGuido GuidiCol tempo, 1956-2024
6 Jan 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
14 Jan 2025 06.00 pm
lectureMongolian Buddhist Art and Zanabazarby Geshe Lharampa Javzandorj Dulamragchaa
Who are the leading figures in the contemporary dance of the last 50 years? What influences and contaminations have there been with the world of contemporary art and architecture? What were the ideas that revolutionised the performance of dance?
Vito Di Bernardi, Patrizia Veroli, Francesca Pedroni, Maria Pia D’Orazi, Ada D’Adamo, Susanne Franco, Virgilio Sieni in conversation with the curator of the project Anna Lea Antolini, meet the MAXXI public to discuss in seven encounters the history of contemporary dance and to discover together the relationship between dance, architecture and art through video contributions from Cro.me. – Cronaca e Memoria dello Spettacolo of Milan and from the Historical Archive of the Romaeuropa Foundation.
New York’s Judson Church | with Patrizia Veroli
Saturday 10 November, ore 11.00
MAXXI B.A.S.E., Graziella Lonardi Buontempo Room – admittance free
In the early 1960s, the deconsecrated Judson Memorial Church in the heart of New York’s Greenwich Village was a workshop for radical experimentation that touched on all the arts, in particular dance. At a time in which modern dance was exploring the symbolism of the psyche, choreographers such as Yvonne Rainer, Trisha Brown, Carolee Schneeman and Steve Paxton created new ways of dancing that became known as post-modern dance. Particular attention will be paid during this encounter to the figures of Trishsa Brown and Steve Paxton, this last the inventor of a technique still widely used today, contact improvisation.
Patrizia Veroli is a freelance dance historian. The author of a number of books including Milloss. Un maestro della coreografia tra espressionismo e classicità (1996) and Loie Fuller (2008). She has edited and curated various publications and exhibitions including Five Hundred Years of Italian Dance, Highlights from the Cia Fornaroli Collection, at the New York Public Library (2006, with Lynn Garafola). She is also the president of AIRDanza.
Upcoming seminars:
11.00 – 13.00
12 January 2013 | Francesca Pedroni
9 February 2013 | Maria Pia D’Orazi
9 March 2013 | Ada D’Adamo
13 April 2013 | Susanne Franco
11 May 2013 | Virgilio Sieni
The Histories of Contemporary Dance is a Carolina Italiano project, curated by Anna Lea Antolini and organized by Giulia Pedrace.
In collaboration with Fondazione Romaeropa and Cro.me.