for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Kutlug Ataman.
Mesopotamian Dramaturgies.
From 30 May to 12 September 2010
curated by Cristiana Perrella
Internationally renowned for his intense video-installations featuring multiple screens and suspended between fiction and document, Kutlug Ataman (Istanbul, 1961, lives and works in Istanbul and London) and his art explores the complex nature of personal and collective identity, giving rise to portraits of great intimacy while at the same time also tackling broader social themes.
In Mesopotamian Dramaturgies, Ataman’s most ambitious project to date and presented in its entirety for the first time at MAXXI, the theme of the construction of identity invests an entire geographical area, that middle ground between East and West that Turkey represents particularly well. The eight works – films, video installations and photographs – that constitute the cycle reveal the tension, the effort, the contradiction and the results of the meeting of two worlds, from the thrust towards modernity to the persistence of tradition. Realised in what is today one of the most archaic areas of Turkey, the South-East, on the border with Iraq, as is customary with Ataman’s works they give voice to “marginal” figures, those who have remained on the edges of the impetuous development underway elsewhere in the country.
The exhibition at MAXXI has been produced with the support of:
Thanks to:
Turkish Embassy, Rome
Part of the furnishings was provided by Ikea