for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
29 Jan 2025 04.30 pm
MAXXIperTUTTIDalla materia al simbolotactile lab
30 Jan 2025 06.00 pm
talkMusei possibili. Storia, sfide, sperimentazionicurated by Fulvio Irace
2 Feb 2025 12.00 pm
guided toursItalia in movimentoAutostrade e futuro
2 Feb 2025 04.30 pm
MAXXI with the familySe un pomeriggio d’inverno dei viaggiatori…
5 Feb 2025 06.00 pm
talkMemorabile. Ipermoda: vestire i manichini
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The MAXXI Collection between direct testimonies of the artists and tributes to the great masters of contemporary art.
The talks are an opportunity to discuss and reflect on the evolution of artistic language over the last forty years.
Protagonist of the MAXXI Collections with her work Ingres Wood Seven, the German artist Katharina Grosse meets MAXXI Arte Director Bartolomeo Pietromarchi to speak about her career and her last works, now showing in the exhibition Separatrix at the Gagosian in Rome.
Grosse embraces the events that occur as she paints, opening up surfaces and spaces to chance. In massive in situ paintings – where she uses a spray gun to propel unmixed color over objects, rooms, buildings, and even entire landscapes – and autonomous works on canvas, paper, and sculptural supports, she stylizes gesture as a spontaneous mark of personal agency.
In her latest works, Grosse experimented with a wet-on wet technique using vibrant pigments, allowing them to swim and intermingle across the surface, leaving behind iridescent pools and blooms. After returning to her Berlin studio, she transferred what she terms the ‘consequences’ of these watercolors to a series of large-scale paintings, setting the canvas horizontally, adding dilute acrylics using a brush, and then tilting the support to produce multidirectional drips and currents of color as a secondary gesture.
in collaboration with Gagosian, Accademia Tedesca Roma Villa Massimo and Goethe Institut.