Monday closed
Tuesday to Sunday 11 am – 7 pm
Sunday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Carlo Scarpa Room
curated by Giulio Cappellini – Art Director Alcantara and Domitilla Dardi – Design Curator MAXXI Architettura
Almost a year on from Can you imagine?, MAXXI is once again joining forces with the Italian Alcantara® brand for the Shape your life project.
Considering a way of life that is ever more nomadic and dynamic, the challenge proposed by the exhibition is that of interpreting the new scenarios of (con)temporary living; that “away from home” where we now spend the majority of our time.
In this second edition the theme will be investigated by some of the most promising emerging talents on the international design scene as they come to terms with the unique characteristics of the material.
The selection process involved 50 international signallers invited to indicate a designer under 35 years of age displaying a particular design talent. The curricula of these designers were then examined by an international jury of experts who assigned to each of the 8 finalists the execution of a project regarding the theme of the new exhibition.
The young designers have been asked to create equipped habitats: objects and spaces in Alcantara that allow us to feel at ease both at home and away from home.
Sebastian Herkner of Germany was asked to examine the conference table workstation, Lanzavecchia + Way, from Italy and Singapore, tackled the car interior, Mischer’ Traxler of Austria looked at public transport seating, the Society of Architecture from Korea the park bench, the Italians Matteo Zorzenoni, Vittorio Venezia and paradisiartificiali a bar/restaurant booth, a beach or boat lounger/chair and cinema/theatre seating respectively, while lastly Mana Bernardes from Brazil examined the personal working desk.
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