until 26 November some galleries are closed for set-ups; please can find here the ongoing exhibitions
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
23 Nov 2024 05.00 pm
MAXXI with the familyDi Spazio in SpazioDIVENTO SPAZIO
24 Nov 2024 05.00 pm
MAXXI with the familyDi Spazio in SpazioDIVENTO SPAZIO
27 Nov 2024 06.00 pm
books at MAXXITanti Auguri. 70 anni di tv 100 anni di radioby Marco Carrara
Video Gallery – admittance € 5
Ticket purchases comprise reduced price (€8) museum entrance within a week of issue.
admittance €4 for myMAXXI cardholders – special myMAXXI carnet for four seminars €12
A series of lectures dedicated to Italian artist film and video from the ’60s through to the present day on the occasion of the artapes season
Four seminars with four different academics exploring a number of themes and aspects of the relationship between artists and moving images, from the historical-artistic context to the political and performative point of view, from contaminations between the cinematic and the electronic media and through to the found-footage procedure.
An expanding section of contemporary film draws inspiration from its past to create unexpected visions and new experiences of spectatorial participation: widespread practices that make of collage, ready-mades, and re-editing the focus of a vast recycling of forgotten memories.
In the third seminar we shall be meeting the film historian Marco Bertozzi to discuss re-mediated image through migrant narrations, featuring video art, artist film and documentary experimentation capable of overturning the primary meaning, reactivating the imaginable and, above all, the unimaginable.
Marco Bertozzi. Teaches Documentary and experimental film at the IUAV University of Venice and is part of the group of auteurs that in recent years has contributed to the rebirth of the Italian documentary, with a significant theoretical aspect and commitment to cultural promotion. Bertozzi has lectured in Documentary Film at the Centro Sperimentale di Cinematografia in Rome and has curated Italian documentary film seasons in France, Canada and the United States.