Monday closed
Tuesday to Sunday 11 am – 7 pm
Sunday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
29 May – 24 November 2013
curated by Anna Mattirolo
Galleries 2 and 3
The Trinity is an exhibition that presents the art of Francesco Vezzoli to the public in three different museums: MAXXI, MoMA PS1 in New York and MOCA in Los Angeles.
Galleria Vezzoli reconstructs the timeline of the artist’s research, from his embroideries of the 1990s to his most recent videos, through to his latest sculptures in marble. And it does so in a late-nineteenth-century museum display that interacts directly with Zaha Hadid’s contemporary architecture.
A section devoted to the subject of self portraits has also been included, linking the various works by Vezzoli to a broader reflection on individual and collective identity. The title of the exhibition and the display, which have been created by the artist himself, are an ironic, provocative invitation to reflect on the contemporary museum and on its role as a receiver of works of art and as a keeper of their value.
Whether in the form of petit-point embroidery, videos, photographs or sculptures, the Brescia-born artist’s works are an intermingling of references and quotations with fragments of art house cinema, Hollywood films and television productions, and the history of art, of fashion and of politics. They delve deep into the world of culture, both “high” and “low”. Inspired by themes from the popular imagination, Vezzoli adopts mass-media mechanisms and, using a complex web of linguistic codes, exposes their processes and mechanisms, and the logic behind them.
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A real deconsecrated XIX century church, originally built in the south of Italy, will be deconstructed and re-located in the yard of MoMAPS1. This giant and spellbinding installation will host the evidences of Vezzoli’s own artistic cult: THE CHURCH OF VEZZOLI
Lastly, MOCA (LA) will open CINEMA VEZZOLI, an exhibition which will outline Vezzoli’s attitude in playing with the world of classic European cinema and contemporary Hollywood stardom as a way of mirroring today’s obsession with fame, politics and the public exposure of private issues.
Each exhibition will open at short distance one from the other, unveiling for the very first time the whole complexity of Vezzoli’s world step by step, continent by continent, until the three shows will be exceptionally open at the same time.