for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
6 Dec 2024 02.45 pm
talk + guided tourMAXXI EnergyThe sustainability worksite
8 Dec 2024 12.00 pm
guided toursMemorabileIpermoda
8 Dec 2024 04.30 pm
MAXXI for familiesio, Abito
10 Dec 2024 08.30 pm
concertA tribute to Arnold Schoenberg
Curated by Laura Cherubini
in collaboration with the Elisabetta Catalano Archive
lobby / archive wall – € 5 – subscription to three meetings € 10
10 individual seats free and reserved for myMAXXI cardholders by writing to mymaxxi@fondazionemaxxi.it, by the day before the event
Three meetings to retrace the activity of one of the greatest photographers of our time.
On the occasion of the third set-up of the Archive Wall space, the exhibition area dedicated to the enhancement of contemporary world archives, with a focus on Elisabetta Catalano’s artistic production, MAXXI organises three meetings that retrace the activity of one of the greatest photographers of our time.
Through the words of scholars, sector experts, photographers, artists and protagonists of the art scene of those years, the three meetings will analyse the beginnings and development of her work, her relationship with the photographers of her generation, and her work as a portrait photographer. Particular attention will be given to the work on performances and to the various ways to document it.
Photographing the performance
Starting in the 1970s, Elisabetta Catalano created photographic sequences for various artists, often reconstructed or created in her studio, which document actions and performances. Thus, a true genre is born, the performance in the studio, behind closed doors, without audience, made for the photographic outcome, to be handed down and not consummated, in a silent dialogue between the artist’s iconography and the photographer’s eye.
Starting from these premises, the meeting will try to understand how the documentation of making art since the introduction of video recording has evolved over the years. Witnesses of this phase of passage are Massimo Bartolini and Bruna Esposito who, on the occasion of the meeting, will show some excerpts of their performances bringing a testimony from the inside on the relationship between art and photographic and video documentation.
Introduction and moderation by
Laura Cherubini Artistic Director of the Elisabetta Catalano Archive
Speakers
Bruna Esposito artist
Massimo Bartolini artist
Costantino D’Orazio art historian