Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
Curated by Stefano Collicelli Cagol
videogallery – free admittance
Los Angeles, the Hollywood studios and the history of special effects. The art of Pat O’Neill has transformed the United States film industry.
The artistic career of Pat O’Neill, considered to be one of the pioneers and icons of American experimental film from the early Sixties, consists of wide ranging research in the visual arts including sculpture, collage, drawing and photography. His work is noted not only for its unique and avant-garde technical mastery but also for its great visual and visionary elegance. Uninterrupted images in which echo accounts of past and present, myths and legends of quotidian culture with particular reference to the landscapes of Los Angeles with its suburban and rural zones, make of O’Neill’s works a seductive filmic art.
O’Neill’s collaboration with the studios, like that of many other Californian artists, was instrumental in the transformation of the film industry. Looking at the work of Pat O’Neill today means examining an artist who with his work has helped lay the foundations for the experimentation with special effects that continues to influence our imaginaries, even now that they are created with digital technologies.
Tuesday 26 November, on the occasion of the Pat O’Neill Focus MAXXI is celebrating the work of one of the pioneers of experimental film with a seminar exploring his long and multi-faceted career.
In testata: Header: Saugus Series, 1974 | 16mm transferred to digital, 3 channel, 19:56 minutes | Sound Design: Pat O’Neill
In collaboration with MONITOR Rome, Lisbon, Pereto (AQ), Philip Martin Gallery, Los Angeles