Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery – free admission until full capacity
curated by Benedetta Carpi De Resmini
Videos, photography, performances, and installations that talk about the artist’s work, which uses language and the body as interaction tools.
A special review dedicated to Elena Bellantoni including the screening of a selection of videos that cover the last 5 years of the artist’s production, up to her latest work, On the Breadline, a travelling art project that won the 4th edition of the Italian Council (2018), and that engaged the artists throughout all of 2019 in four European cities: Belgrade, Athens, Istanbul, and Palermo.
Elena Bellantoni (1975) lives and works in Rome. After graduating from History of Contemporary Art at the “La Sapienza” University in Rome, she went on to study in Paris in London where, in 2007, she took a Master in Visual Art at the WCA University of Arts London; afterwards, she studied theatre-dance and performative arts in-depth by taking workshops in Italy and abroad. In 2007 she created the “Platform Translation Group” and in 2008 she opened the non-profit “91mQ art project space” in Berlin. In 205 she cofounded the “Wundebar Cultural Project”. She is currently a Professor of Phenomology of the Body and Art Therapy methods and techniques at the Academy of Fine Arts in Rome.
In 2018 she won the Italian Council; in 2014 her video The Fox and the Wolf: Struggle for Power entered the Farnesina collection of the Ministry of Foreign Affairs.
Her research explores the identity and relation dynamics established in the territories and in the spaces that she crosses; she uses language and the body as investigation “s-objects”, and formalises her projects through video, photography, performance, sculpture, drawing, and installation.
On Wednesday 4th December the artist will meet the audience and her work Ho annegato il mare (2018) created for the Manifesta 12 even in Palermo will be screened.
In the header: picture © Elena Bellantoni, Maremoto, 2016