Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 Dec 2024 12.00 pm
guided toursThe Large Glass
26 Dec 2024 04.30 pm
MAXXI for familiesForme danzanti
6 Jan 2025 12.00 pm
guided toursGuido GuidiCol tempo, 1956-2024
6 Jan 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
14 Jan 2025 06.00 pm
lectureMongolian Buddhist Art and Zanabazarby Geshe Lharampa Javzandorj Dulamragchaa
Tuesday 18 October, 15.00 and 18.00
Wednesday 19 October, 15.00 and 18.00
Saturday 22 October, 15.00
The performances are scheduled during the museum opening hours and are accessible with a museum ticket.
Each performance lasts around 1 hour.
The programme, developed with Romaeuropa Festival 2011, features a selection of some of the most significant early pieces, created at the time when Trisha Brown (1936, Aberdeen, Washington) founded her company. The Early Works date from the years 1970-1974 and are composed of apparently very simple movements that combine to become complex choreographies. The programme boasts a number of Italian debuts such as Scallops and Leaning Duets and Leaning Duets II – in which the relationship between equilibrium and disequilibrium is dissected and recomposed – flanked by better known works such as Spanish Dance, which uses Bob Dylan’s interpretation of the song Early Morning Rain as its sound track, and Accumulation with music by the Grateful Dead. Sticks and Figure 8 are instead conceived as true architecture delineated by the bodies of the dancers.
Programme:
Leaning Duets I (1970)
Accumulation (1971)
Leaning Duets II (1971)
Group Primary Accumulation (1973)
Scallops Re-worked (1973)
Sticks I (1973)
Sticks II (1973)
Sticks IV (1973)
Spanish Dance (1973)
Figure 8 (1974)
Spanish Dance. Photo by Alfredo Anceschi