single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
– upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
4 Apr 2025 06.00 pm
talkUtopie misurateby Aldo Aymonino and Giuseppe Caldarola
6 Apr 2025 12.00 pm
guided toursMemorabileIpermoda
6 Apr 2025 04.00 pm
musicElectronic ExpressionsDuality
6 Apr 2025 05.00 pm
CreAzioneFridaby Julie Taymor
8 Apr 2025 06.00 pm
talkCulinary interpretation of the arts
8 Apr 2025 06.00 pm
books at MAXXIJoker scatenato. Il lato oscuro della comicitàby Guido Vitiello
Thursday 1 December, 18.00
MAXXI B.A.S.E. meeting room
a work by Stefano Arienti and Cesare Pietroiusti
with the contribution of Paolo Bergmann
The artists Stefano Arienti and Cesare Pietroiusti will be presenting at MAXXI Disponibilità della cosa (The availability of the thing), a project in which they reflect on the themes of the authorship and the value of works of art.
Initiated in 2008 with the launch of the first collection of banknotes at MAMbo – Museum of Modern Art of Bologna – Disponibilità della cosa received its first sculptural configuration from Stefano Arienti that year when he used 113 banknotes collected during a performance by the two artists at the museum in Bologna in which the work is exhibited.
With their project, Stefano Arienti and Cesare Pietroiusti have tackled a number of the issues that concern contemporary art museums and their reciprocal research. This experimental work, which unites the practices peculiar to each artist, creates brand new and at times paradoxical implications concerning public participation, the value of the work of art, its distribution and its conservation.
The growth of the sculpture, which is currently composed of over 150 pieces, has been ensured over the years by further banknote collections. The work therefore modifies over time through the increase in money made available by the contributors, but may also transform in its physical extension and configuration at any moment at the exclusive discretion of the artists and only through the hand of Stefano Arienti.
During the encounter at MAXXI B.A.S.E. a further banknote collection will be promoted, initiating the process that will lead to the sale of the sculpture and determine the value of the work of art in commercial terms. Once the sale has been completed, as well as the sum invested contributors will have the right to claim a share of the profits obtained and in any case will be entitled to the restitution of the money donated via the procedures detailed in the contract.
Profit sharing agreement
Those who wish to participate in the project may do so during the performances at MAXXI B.A.S.E. or by contacting Uliana Zanetti at MAMBo uliana.zanetti@comune.bologna.it), fixing an appoint for the exchange: for every €50 banknote consigned a contract is issued together with a certificate of assignment drafted by the artists together with the lawyer Paolo Bergmann that define an agreement between the contributor and the artists regarding the sharing of any profits deriving from the sale of the work. The expiry of the three-year contract has been extended by 18 months.
In order to follow the development of the work you can also join the Facebook group Disponibilità della cosa
> go to the page
Stefano Arienti and Cesare Pietroiusti, with the collaboration of Paolo Bergman, Disponibilità della cosa 2008, photo by Matteo Monti (detail)