Digital Antibodies
sala Gian Ferrari
curated by Ilaria Bonacossa with Eleonora Farina
Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
sala Gian Ferrari
curated by Ilaria Bonacossa with Eleonora Farina
Our lives are dominated by a pervasive connection to social media. Our mobile phones double as pacemakers, surveillance cameras spy on us in our public and private spaces, our decisions are delegated to algorithms, and we entrust Big Data and artificial intelligence with interpreting the present and predicting the future.
Art seeks to create a space within which there is freedom from and opposition to the unrelenting dictatorship of technology, which is why the works of three Italian artists, Danilo Correale, Irene Fenara and Invernomuto, have been brought together in this Digital Antibodies exhibition, presenting new relationships between our digitised bodies and contemporary reality.
In A Spectacular Miscalculation of Global Asymmetry Danilo Correale has transformed the exhibition space into an alienating environment, something like the office of a US multinational corporation in which the paintings, seemingly abstract patterns on canvas, representing quantitative and qualitative information in an explicit antithesis to the irony of screensavers on inactive monitors.
Occupying another, almost hidden, space within the exhibition hall, Irene Fenara’s Struggle for Life☉ video artwork presented on a smartwatch invites us to reflect on the mechanism of contemporary surveillance, its contradictions and the individual freedoms through which it can be counteracted.
By means of a rhythmic, poetic and at the same time dystopian journey, in Vers l’Europa deserta, Terra Incognita, the Invernomuto duo investigates the typical youth self-representation shared on and offline in the expanded peripheries of suburban inhabitants of European metropolises.
read more about the exhibition
The National Museum of Digital Art is one of the most recent autonomous museums established by the Ministry of Culture, entrusted to the direction of Ilaria Bonacossa. The Museum will be located in Milan, in the Art Nouveau spaces of the former Albergo Diurno di Porta Venezia, designed by Piero Portaluppi in 1925, and in the western duties station of Porta Venezia. The space renovation and the new museum setup will be completed by 2026 to create a digital hub for avant-garde art experiments in synergy with MEET – Digital Culture Center.