Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 Dec 2024 12.00 pm
guided toursThe Large Glass
26 Dec 2024 04.30 pm
MAXXI for familiesForme danzanti
6 Jan 2025 12.00 pm
guided toursGuido GuidiCol tempo, 1956-2024
6 Jan 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
14 Jan 2025 06.00 pm
lectureMongolian Buddhist Art and Zanabazarby Geshe Lharampa Javzandorj Dulamragchaa
MAXXI Auditorium
admittance €5, free for myMAXXI cardholders, with the first 10 cardholders having the chance to reserve places by writing to mymaxxi@fondazionemaxxi.it by the day before the event, subject to availability of places
A film with an identity crisis, in a surreal search for itself
Within the ambit of the artapes #3 series, MAXXI will be screening Controfigura, the debut work by the artist Rä di Martino, winner of the Eurimages Lab Project Award at the Karlovy Vary Film Festival 2017.
Talk:
Introduced by
Bartolomeo Pietromarchi, Director, MAXXI arte
Speakers
Alessandra Mammì art historian and journalist
and the artist Rä di Martino
Followed by the screening:
Controfigura
by Rä di Martino
Italy, France, Switzerland, Morocco | ov. Italian, English, Arabic, French, 74′
with Valeria Golino, Filippo Timi, Corrado Sassi, Younes Bouab, Nadia Kounda
A man swims home, traversing all the houses of the county of Marrakech, swimming pool by swimming pool…
A small film crew roams Marrakech and the surrounding deserts, scouting for the remake of an American film. Corrado is the body double used to test the framings, locations and swimming pools where the leading man will perform. As the rehearsals proceed however, he begins to develop an unwarranted ambition… might that role be his? As we witness his attempts to enter into the part, the real actors, the stars, burst onto the scene and a full crew is moving behind the scenes on a set where no one seems to know exactly what to do.
Controfigura was produced within the ambit of the MUSEO CHIAMA ARTISTA project, now in its fourth edition, promoted by the Ministry of Cultural Heritage and Tourisms’ Directorate General for contemporary art and architecture and the urban peripheries and AMACI – the Italian Association of Contemporary Art Museums. This year’s edition is curated by Iolanda Ratti and Alberto Salvadori.