event
Thursday 16 July 2015 5.00 PM - 9.00 PM
Teatro in PiazzaCinetico 4.4 by CollettivO CineticO
Collection
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Photo credit: Nicola Galli
other upcoming events
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MAXXI for familiesOggetti incredibili e come progettarli
14 Jan 2025 06.00 pm
lectureMongolian Buddhist Art and Zanabazarby Geshe Lharampa Javzandorj Dulamragchaa
14 Jan 2025 06.30 pm
lectureIn movimento: danza, coreografia, architetturawith Susanne Franco
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for those interested in exploring the present
This event is part of YAP FEST 2015
MAXXI Piazza, Spazio YAP– admittance free
In collaboration with SANTARCANGELO International Festival of Street Theatre
A playful device in which public is invited
to participate as a players
Cinetico 4.4 is a game, divided into three phases, which allows you to collectively process theoretical and practical information for the creation of a performance and a reworking of theatre’s conventional roles.
In the first phase, the 24 players are distributed around six tables in groups of four; each player negotiates with the others regarding the directorial decisions, strategically managing personal priorities, the decisions of others and chance.
The second phase consists of the practical preparation of the performance and third in its presentation to the spectators, themselves established by the dynamics of the game.
To participate:
Would you like to be a player-performer?
We are meeting at 5.00 PM. Reservations are required and may be made by writing to base@fondazionemaxxi.it.
You do not need any prior theatrical experience.
Would you like to be a simple spectator?
We’ll ready and waiting at 8.00 PM.
Born in 1971 out of a very close relationship between the city and artistic creativity, Santarcangelo dei Teatri organizes the oldest Italian festival dedicated to the contemporary stage arts and one of the most important European events within the ambit of dance and theatre. The international nature of the performers and the relationship with the Santarcangelo’s public spaces and its citizens as a whole.