Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
6 Jan 2025 12.00 pm
guided toursGuido GuidiCol tempo, 1956-2024
6 Jan 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
14 Jan 2025 06.00 pm
lectureMongolian Buddhist Art and Zanabazarby Geshe Lharampa Javzandorj Dulamragchaa
14 Jan 2025 06.30 pm
lectureIn movimento: danza, coreografia, architetturawith Susanne Franco
15 Jan 2025 06.00 pm
talkAnalisi, distruzione e rinnovamentowith Monia Ben Hamouda
MAXXI Auditorium – admission free with a museum entrance ticket
Four opportunities to discuss leading figures in the museum collections through the selection of over 20 art and architecture films and documentaries from the ART DOC FESTIVAL archive.
Memories, testimony, stock documentaries and interviews presenting art, architecture and Italian culture in the world.
Research recounted through the eyes of the cinema with a process of references and “reflections” that present the audience with dual emotions.
Birdwatching
brainchild of Fulvio Caldarelli
directed by Fabio M. Iaquone, Luca Attili, Erminia Palmieri
Italy, 2011, 28’, Italian, subtitles in English
Hiroshi Sugimoto. Visions in my mind
directed by Maria Anna Tappeiner
Germany, 2007, 43′, English with subtitles in Italian
I grandi maestri dell’architettura: Renzo Piano
curated by Marta Francocci, Giorgio De Finis
Italia, 2004, 27’, Italian
Art Doc Festival is a cultural association founded in 2013 by Antonella Greco, Benedetta Nervi and Lia Polizzotti to expand our knowledge of art and architecture through video, with the objective of offering the public an articulated overview that is as comprehensive as possible regarding the best and most recent documentaries produced on these themes around the world.
Our thanks go to all the producers, distributors and directors for their helpfulness and for kindly having granted permission to screen the documentaries.