Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 Dec 2024 12.00 pm
guided toursThe Large Glass
26 Dec 2024 04.30 pm
MAXXI for familiesForme danzanti
6 Jan 2025 12.00 pm
guided toursGuido GuidiCol tempo, 1956-2024
6 Jan 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
14 Jan 2025 06.00 pm
lectureMongolian Buddhist Art and Zanabazarby Geshe Lharampa Javzandorj Dulamragchaa
videogallery – free admittance until full capacity
10 individual seats reserved for myMAXXI cardholders writing to mymaxxi@fondazionemaxxi.it, by the day before the event
On the occasion of the Pat O’Neill focus, MAXXI is celebrating the work of one of the pioneers of experimental film with a seminar exploring his long and multi-faceted career.
The artistic career of Pat O’Neill, considered to be one of the pioneers and icons of American experimental film from the early Sixties, consists of wide ranging research in the visual arts including sculpture, collage, drawing and photography.
His works, on show at the museum through to 1 December, can be found in prestigious museum collections such as those of: Hammer Museum, Los Angeles; Berkeley Art Museum and Pacific Film Archive, Berkeley; Walker Art Center, Minneapolis; Carnegie Museum of Art, Pittsburgh; Whitney Museum of American Art, New York.
With his work, O’Neill has shown us an alternative to the imaginaries created using post-production techniques, taking an avant-garde approach to subjects otherwise ignored by the mainstream film industry. Themes such as ecology, sustainability in the use of energy, the analysis of social relations, the transformations of bodies and their representation have accompanied, since the 1960s, O’Neill’s obsession with producing grotesque but at the same time poetic and ironic images that still today, in the midst of the digital age, are extremely topical. (Stefano Colicelli Cagol)
Introduced by
Bartolomeo Pietromarchi MAXXI Arte director
Paola Capata Monitor Gallery
Speaker
Stefano Collicelli Cagol curator
In collaboration with MONITOR Rome, Lisbon, Pereto (AQ), Philip Martin Gallery, Los Angeles