single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
– upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
3 Apr 2025 06.00 pm
books at MAXXILa cultura è di tuttiby Christian Greco and Paola Dubini
4 Apr 2025 06.00 pm
talkUtopie misurateby Aldo Aymonino and Giuseppe Caldarola
6 Apr 2025 12.00 pm
guided toursMemorabileIpermoda
6 Apr 2025 04.00 pm
musicElectronic ExpressionsDuality
6 Apr 2025 05.00 pm
CreAzioneFridaby Julie Taymor
MAXXI Auditorium – free entrance until places are available
An outstanding event with two protagonists of the exhibition Paolo Pellegrin. Un’antologia and Zerocalcare. Scavare fossati · nutrire coccodrilli, moderated by the Director of weekly magazine L’Espresso Marco Damilano.
Two leading figures of our times, Paolo Pellegrin e Zerocalcare have documented each in their own way – through photography and comics – human beings, their relationship with history, nature, everyday life with a sharp, observing eye and the visual intensity that distinguishes great artists.
Through their images, Pellegrin and Zerocalcare tell painful, beautiful and impactful stories experienced first-hand and advocate for a civil and human engagement without preset models or borders.
Introduced by
Giovanna Melandri President of MAXXI Foundation
Moderated by
Marco Damilano Director of L’Espresso