Monday closed
Tuesday to Sunday 11 am – 7 pm
Sunday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
18 Dec 2024 > 12 Jan 2025
videogalleryIl cinema delle favole
18 Dec 2024 04.30 pm
visita guidata gratuita per i docentiThe Large Glass
26 Dec 2024 12.00 pm
guided toursThe Large Glass
26 Dec 2024 04.30 pm
MAXXI for familiesForme danzanti
6 Jan 2025 12.00 pm
guided toursGuido GuidiCol tempo, 1956-2024
6 Jan 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
Free admittance; please make reservations by writing to base@fondazionemaxxi.it
Four itinerant encounters in the MAXXI spaces
helping us understand and experience the relationship linking
dance, art and performance
curated by Anna Lea Antolini
Dance and performance, an inescapable pairing: an informal itinerary through the MAXXI spaces helping us understand and experience the multidisciplinary relationship linking dance, art and performance from the birth of the latter to the present.
By the 1970s, performance was a recognised form of artistic expression but it had actually first appeared within the artistic sphere much earlier. Its long history intertwined with that of the artistic avant-gardes of the early 20th Century as it established itself as a pre-avant-garde: from Futurism to Conceptualism, artists turned to performance to break down the categories and indicate new horizons. Performance as the staging of ideas, as a means for providing answers, as a cultural stimulant in a vast spatial range.
What performance are you?
With Francesca Pennini
An excursus on permeability and the potential for performance to react to context, modifying it and modifying itself.
From the perspective of the CollettivO CineticO – direct by Francesca Pennini – regarding experimentation with the relationship between spectator and author, between interpretation and choice, between gaze and body, the project arrives at proposals for choreographic practices diluted in everyday life and the web, through to the possibility of physically experimenting with a series of “tools” designed for the composition of movement with the bodies of non-dancers, a typical feature of contemporary dance explored by multiple artists.
In collaboration with Cro.me. – Cronaca e Memoria dello Spettacolo di Milano and Fondazione Romaeuropa.